bio
The artistic work deals with visual perception and rhetoric's. It considers persuasion as the most important element of reality. Persuasion meant as a set of beliefs organised by common (dis)agreement.
The subjects of her work are often situations of everyday habitat. Everyday habitat appears to be true for those who inhabit the habitat, but not for those who don't. The recuperation of everyday habitat in art context reformulates routine into scenery.
Solo Exhibitions (selection)
2004
- 'Ordnung Bitte! Laisser faire', Paleis voor Schone Kunsten, Brussels (Belgium)
2003
- FLACC, Genk (Belgium)
2002
- HISK, Antwerp (Belgium)
cv
Group Exhibitions (selection)
2011
'Global Villaging, Stories of Cosmopolite Anthropologists', Onomatopee project-space, Eindhoven (The Netherlands)
2009
'PLANKTON::BIS' i.s.m. Kunstenfestivaldesarts, a.pt & VTI, Bains connective, Brussels (Belgium)
'In-transit', the lab, Berlin (Germany)
2007
'The moss gathering tumbleweed experience (alles over de deiktische leervorm)', NICC, Antwerp (Belgium)
'Trope01', trope-editions, Antwerp (Belgium)
'Trope03', trope-editions, Antwerp (Belgium)
2006
'Hisk@Lineart', Lineart, Ghent (Belgium)
2003
'Out 2002', exhibition candidates HISK, Sint-Jorispand. Antwerp (Belgium)
'Memory of Landscape', F.L.A.C.C. Genk (Belgium)
'Chat and Chat', European Art Centre. Xiamen (China)
2002
'In/Out what is, for you, the difference between interior and exterior architecture?' HISK. Antwerp (Belgium)
biblio
Fanny Zaman, Part01 Song Mountain Area the Centre Direction (book and dvd), Antwerp: a.pass, 2010
2010
- PAF , Reims (France)
2009
- PAF , Reims (France)
- In-Transit, Berlin (Germany)
2005
- Cité Internationale des Arts, Paris (France)
2001
- through HISK, New York (NY) (USA)
works
Pointing game
Surface
Setting I, Gym
Having existed for some time, currently in existence, and likely to remain so in the future.)
'Setting I' is a recuperation from an environment, which is the habitat of several young gymnastics.
Little aspects of the habitat appear out of place or out of use.
Functionality is created by frequency and tradition.
A cut out is made and presented in art context.
The recuperation of habitat in art context reformulates routine into scenery.
Tith Ngaw Pai, Kung-Fu
"There is a certain comfort in looking at self-actualisation that is true and meaningful in the habitat of existence."
Ordnung Bitte! Laisser faire
Organised Landscape
A complex system of references is like the Belgian landscape.
This whole system of references has caused a breaking point. The historical order becomes less important or isn't the main reference any more.
The subjective memory becomes crucial. Our subjective way of remembering reshapes the aesthetic field.
The fact that an event took place years before looses its value of example when it hasn't been experienced at the time being."What is the example and who is copying?"
Fictional World
The images appear to show visions of places, meaning places where stories or forgotten myths are a possibly played out. No one knows where eroticism will be housed in the more or less ingenious planning of contemporary metropolises."When you proceed to the right, the trees will anticipate and exist for you, in the area of your expectation."
In/out, What is for you the difference between interior and exterior architecture?
Location: HISK Antwerp, Belgium Author: Virginie Bailly and Fanny Zaman Material: scaffolds and projection Format: Installation 25 m x 30 m, adapted to space
Fanny Zaman
M: +32 486 69 61 20
E: tropeeditions@gmail.com
W: trope-editions.blogspot.com...
W: www.apass.be/apt.php?cwPage=br...
2000 Antwerpen, België
